Tuesday Tips - FOLDS
More on folds today. I will eventually cover all types of folds but today is about simple folds on everyday clothes (t-shirt, jeans). The key is to know what to expect and then applying what you know to simplify what you see in front of you (when life drawing). A lot of the folds dynamics on shirts and jeans come from the “memory” of the fabric itself. Denim is thick and is likely to keep some form of wrinkles or folds around certain areas (knees). A lot of zig-zag patterns around the knee is very likely. When pushed down on the feet, the denim fabric will bunch up and combine with the zig-zag pattern. Shirts and t-shirts will react to the twist and pull of the arms and torso. Identify where the pull (or tension) is coming from and work from it. I tend to draw the seams because they clearly express the volumes underneath.
i’m all about the big umbrella today. ☔️Penfield raincoat. Asos patterned button up.Nike free runs #wiwt #ootd #penfield #nike #asos #floral #vscocam #me #menswear #mensstyle #mensfashion #style #fashion #streetstyle #instafashion
You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!
Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:
1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.
First, just get down the big shapes of your expression, just like you would for a pose.
So say I wanna do a low angle angry pose. I know the features are gonna be all mashed down at the bottom because of perspective.
Scribble it down
start to put on features
put on more stuff
fix stuff again
erasing and flipping and stuff a whole bunch until you are happy with it or stop caring
Whole head is a gesture!
2. Just like a facial expression, jot down where the important parts of an entire pose goes first. You can force the rest of the body to fit the pose.
So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face.
That’s the simplest explanation I got. Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!
Hi! Do you have any tips on drawing body figures? Especially the length of the legs? And do you have tips on drawing hands? Thanks!
Only way to learn figures is to look at them and draw them. I’ve taken figure drawing and anatomy for artist classes in addition to drawing a lot. Take them if you can! And I fuck up legs more than anything because I don’t draw them enough. Easy springboard though is searching for Andrew Loomis books.
Same with hands, though there are some fairly easy to describe formulas for hands so I drew up a couple rq
First of all, for probably 90% of the hand poses you’re gonna draw, think fingers like the petals on a pinwheel. They all curve the same degree, in relation to the previous.
Flowergirl Process →
Made a gif of the Flowergirl in process! A lot of trial-and-error while making the image, but I’m happy with how it eventually turned out. You can see how I start off really really light on the colours and gradually build to full-strength. I didn’t like how I clumped the flowers so I painted…